The Teen Voices in Huckleberry Finn, Catcher in the Rye, and the Outsiders

Teenagers are famous for being the mostcontroversy served only to heighten public
powerful voice of their g-g-generation. Stuckinterest, ultimately bolstering the novel's sales.
somewhere between the limitations of childhoodFollowing in Twain's lead is J. D. Salinger's Catcher
and the responsibilities of adulthood, they have ain the Rye, which is narrated from the
unique perspective from the fringe of society. Toperspective of a disillusioned seventeen-year old
remind ourselves of why the angsty rebellion ofwith a biting wit and complete intolerance of
youth is so important, let's take a look at someartificiality. Having no desire to spend his teen
of the teen voices of nineteenth- andyears being molded into a "splendid, clear-thinking"
twentieth-century literature.young man, Holden Caulfield flunks out of prep
The classic teen novel of the nineteenth centuryschool and spends the next few days wandering
is Mark Twain's Adventures of Huckleberry Finn,around New York. In the process, he alienates
which is narrated from the perspective of anhimself from his friends, blows all his money, has
uneducated thirteen-year old with an awesomesome sort of nervous breakdown, and even gets
sense of humor and zero interest in becomingbeaten up by a pimp.
"civilised." The tale begins with Huck evadingThat being said, Catcher is hardly what you'd call
school, hygiene, and his adoptive mother only toplot-driven, causing some readers complain that
find himself on the run from the abuse of anthe story is essentially a rambling diatribe on
infinitely worse father. After setting off down theHolden's pet peeves. The fact that modern-day
Mississippi river, he takes up with an escapedtelevision and movies have bombarded us with
slave and... well, you know the rest.stimuli certainly doesn't help Holden's case. What
Which is kind of the problem; Huckleberry Finn haskeeps us hooked, aside from Holden's lovable
become such a part of American consciousnesscombination of cynicism and naiveté, is his
that a lot of us don't bother to read it forincredible narrative voice. Whether making us
ourselves. If the fact that it's a smart and hilariouslaugh out loud or pause to think, Holden speaks to
civil-rights novel with a surprisingly modern feelus like trusted friends - in conversational English
doesn't get you interested, maybe the history ofpeppered with slang, curse words, and
its publication will; upon its release, it was bannedcontradictions. In doing so, Holden works through
throughout the US and deemed "the veriesta few of his personal demons and makes more
trash" for its slang, irreverence, and vulgarity. Asof a connection with the reader than he ever
any teen could have predicted, however, themanages to achieve in real life.